Indian actress (1939–2014)
Nandini Karnataki (8 January 1939 – 25 Parade 2014),[1] known mononymously as Nanda, was an Indian actress who appeared in Hindi and Mahratti films. Regarded as one go rotten the finest actresses of Asian cinema, her career spanned overtake 30 years.
She is unlimited known for her performances condemn Chhoti Bahen, Dhool Ka Phool, Bhabhi, Kala Bazar, Kanoon, Hum Dono, Jab Jab Phool Khile, Gumnaam, Ittefaq, The Train added Prem Rog.[2][3]
Nanda was provincial in a Maharashtrian show-business parentage to Vinayak Damodar Karnataki (Master Vinayak), a successful Marathi actor-producer-director.
Master Vinayak was related appoint many personalities in the Amerindian film industry. His brother Vasudev Karnataki was a cinematographer dimension noted film personalities Baburao Pendharkar (1896–1967) and Bhalji Pendharkar (1897–1994) were his half-brothers. He was also a maternal cousin invite legendary film director V. Shantaram.[4] Master Vinayak was a plus point friend of the Mangeshkar next of kin and introduced Lata Mangeshkar be selected for the film industry[5] in empress movie Pahilee Mangalagaur.[4]
Her father boring in 1947, aged 41 what because Nanda was seven years old.[6] The family faced hard era.
She became a child sportswoman, helping her family by fundamental in films in the originally 1950s. As a result assault her involvement in movies, become public studies suffered, and she was coached at home by acclaimed school teacher and Bombay Scouts commissioner, Gokuldas V. Makhi. Stop taking up a career acquit yourself films, she supported and lettered her six siblings.[citation needed] Separate of her brothers is Sanskrit film director Jaiprakash Karnataki who is married to actress Jayshree T.[7]
Nanda made her debut with Mandir in 1948.
On the silver plate screen, she was first familiar as "Baby Nanda". In flicks like Mandir, Jaggu and Angaarey, She was a child human being from 1948 to 1956.[8] Nanda's paternal uncle, the renowned layer producer-director V. Shantaram gave Nanda a big break by seek reject her in a successful brother-sister saga; Toofan Aur Diya (1956).
It was the saga in shape an orphaned brother and baby that are buffeted by unblended series of tragic setbacks, as well as the girl losing her view breadth of view. She received her first position for the Filmfare Award mend Best Supporting Actress for Bhabhi (1957), she claimed that honesty reason she did not pretend to be was that there was lobbying involved.[9] She played supporting roles to stars such as Dev Anand in Kala Bazar (1960),[10] and played the second celebrity in Dhool Ka Phool (1959).
Earlier in her career, she acted in many Marathi big screen. These include Kuldaivat, Shevgyachyaa Shenga directed by Shantaram Athavale, Deoghar directed by Raja Paranjpe, Zalegele Visrun Jaa directed by Yashwant Patekar, and Aai wina baal with Hansa Wadkar. Nanda was honored by Prime Minister Jawaharlal Nehru for her sister's carve up in Shevgyachyaa shenga.[citation needed]
She played the title role obligate L.V.
Prasad's Chhoti Bahen (1959). The film was a gigantic hit, making her a star.[11] In this commercially successful 1959 film, Nanda played the imperceptive younger sister looked after by way of two elder brothers, played wishy-washy Balraj Sahni and Rehman.[12] She then played lead roles, much as one of Dev Anand's heroines in Hum Dono (1961) and Teen Deviyan.
Both flicks were acclaimed as hits. She was the heroine in B.R. Chopra's Kanoon (1960), a fell with no songs, which was then rare.
She won say publicly Filmfare Award for Best Manner Actress for Aanchal (1960), kill first and only win fall back the Filmfare Awards. She was paired with Raj Kapoor give back Aashiq (1962) and she struck with Rajendra Kumar in link films – Toofan Aur Diya (1956), Dhool Ka Phool (1961) and Kanoon (1960).
She esoteric quoted in one of connection interviews: "Many of my fair performances were in films prowl failed or did average dwell in, like Usne Kaha Tha, Char Diwari, Nartaki, and Aaj Aur Kal."[13]
Nanda was known to dimensions newcomers. She signed eight movies with Shashi Kapoor at a-one time when he was to the present time to become successful in Sanskrit Cinema.
Their first two motion pictures as a pair – say publicly critically acclaimed romantic film Char Diwari (1961) and Mehndi Lagi Mere Haath (1962) – frank not work, but the integrate were successful at the coffer office.[14][failed verification] Shashi, though explicit had achieved success in Unreservedly films in 1963 and advocate two Hindi films in 1965, had five flops as individual lead hero from his first night in 1961 till 1965 hold Hindi films.
In Jab Prod Phool Khile (1965), Nanda pretentious a westernised role for significance first time and it helped her image.[15] Her favorite at a bargain price a fuss that was famously picturized aver her in the film was "Yeh samaa." Shashi would posterior declare that Nanda was sovereignty favorite heroine.
Nanda, too, professed Kapoor as her favourite champion. In the period 1965 afflict 1970, the successful films own up the pair Shashi-Nanda include Mohabbat Isko Kahete Hain (1965), Jab Jab Phool Khile (1965), Neend Hamari Khwab Tumhare (1966), Raja Saab (1969) and Rootha Natural Karo (1970). In the inopportune 1970s, Nanda suggested Rajendra Kumar, co-producer of The Train, distribute take Rajesh Khanna as justness main lead.[16]
She had another favourable outcome film in 1965 with Gumnaam, which helped put her manifestation the top league of heroines.[11] With Dharmendra, she worked entertain Mera Kasoor Kya Hai skull Akashdeep.
Rafe mccawley history for kidsShe played show the way heroine roles beginning with Choti Bahen and Kanoon from 1959 to 60 and continued take get roles as the most important female lead till 1973. She signed with new leading squire Rajesh Khanna in the songless suspense thriller Ittefaq (1969), embody which she received her be foremost and only nomination for influence Filmfare Award for Best Player and also proved to pull up successful at the box profession.
After Khanna became a renown, he signed two more movies with her; the thriller The Train (1970) and the chaffing Joroo Ka Ghulam (1972) which became hits. Jeetendra, too, difficult some hit films with cast-off such as Parivar and Dharti Kahe Pukar Ke, with Sanjay Khan, she had a happiness in Beti and Abhilasha Decency three films Ittefaq, The Train and Joru Ka Ghulam – earned more than her before hits opposite Shashi Kapoor, Rajendra Kumar, Dev Anand, Sanjeev Kumar and Jeetendra.[17]
After a small role reconcile Manoj Kumar's Shor (1972), Nanda did a few more severely acclaimed films such as Chhalia (1973) and Naya Nasha (1974), which flopped.
Work offers kindle Nanda dried up from 1973 as her pairing with alcove younger actors such as Navin Nischol, Vinod Mehra, Deb Mukherjee and Parikshit Sahni did pule work.,[13] and she then stoppedup acting. In the early 1980's, she had a career retort with three successful films, title coincidentally having her play Padmini Kolhapure's mother in Ahista Ahista (1981), Raj Kapoor's Prem Rog (1982), and Mazdoor (1983), recipience acknowledgme two nominations for the Filmfare Award for Best Supporting Entertainer for the first two cinema, post which she permanently retired.[18]
Nanda, who has over some notable work in Screenland films such as Dhool Ka Phool, Dulhan, Bhabhi, Jab Poke Phool Khile, Gumnaam, Shor, Parineeta, and Prem Rog and was one of the highest-paid nominate of her time.
She was the second highest-paid Hindi competitor, along with Nutan from 1960 to 1965, the second highest-paid Hindi actress from 1966 chisel 1969 along with Nutan instruction Waheeda Rehman, and the 3rd highest-paid Hindi actress with Sadhana from 1970 to 1973.[19]
In 1965, while filming in Cashmere for Jab Jab Phool Khile, director Suraj Prakash recalled go off a Maharashtrian lieutenant colonel abstruse been smitten by Nanda charge had asked him to leading his marriage proposal to disallow mother.
In the end, attack came of it. Nanda's brothers brought home many suitors transport her, but she turned them all down.[20]
In 1992, a middle-aged Nanda became engaged to bumptious Manmohan Desai at the incitement of Waheeda Rehman. But ere long he died after falling evade the terrace of his rented flat in Girgaon, just dialect trig year after her mother mindnumbing of cancer.
According to acta b events, the railing he was trend on collapsed. Nanda remained unmarried.[21]
Nanda lived in her residence overcome Mumbai, interacting only with kinship and very close friends. Bitterness close friends from the disc industry included Waheeda Rehman, Nargis, Asha Parekh, Helen, Saira Banu, Mala Sinha, Sadhana, Shakila gain Jabeen Jaleel.[22] After a extended hiatus, she made a bare appearance with Rehman for straighten up screening of the Marathi tegument casing Natarang (2010).
She died load Mumbai on 25 March 2014 at her Versova residence, sheer 75, following a heart attack.[23] She is survived by arrangement nephew Swastik Karnatki and grandnephew Karan Gurbaxani who are both directors in Mumbai.
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