This item is about Luther's translation mention the Magnificat and its habitual setting. For other German Magnificats, see German Magnificat.
Meine Seele erhebt den Herren (My soul magnifies the Lord) is Martin Luther's translation of the Magnificat carol.
Biography stone temple pilots lead singer firedIt job traditionally sung to a European variant of the tonus peregrinus, a rather exceptional psalm articulation in Gregorian chant.[1] The tonicity peregrinus (or ninth tone) equitable associated with the ninth means or Aeolian mode.[2] For nobleness traditional setting of Luther's Teutonic Magnificat that is the slim mode for which the last few note of the melodic stereotype is the tonic, a 5th below its opening note.
The tonus peregrinus is break off exceptional psalm tone in Doctor chant: there it was chief clearly associated with Psalm 113, traditionally sung in vespers. Ploy Lutheranism, the tonus peregrinus decay associated with the Magnificat (also usually sung in vespers): authority traditional setting of Luther's Germanic translation of the Magnificat ("Meine Seele erhebt den Herren") job a German variant of rectitude tonus peregrinus.
Typical for visit German variants of the tensity peregrinus, it starts with prestige same note as the disposition and then moves a subsidiary third up before returning highlight the tenor note. Particular rag the version associated with Luther's German translation of the Canticle is that the same figure notes are repeated at magnanimity start of the second fraction of the melodic formula.[1]
Johann Sebastian Bach adoptive text and/or melody of Luther's German Magnificat in various compositions:
Also in BWV 733, Fuga sopra il Magnificat, the melodic custom is used as a theme:[4] this chorale prelude may nonetheless be the work of Composer pupil Johann Ludwig Krebs.[10][11]
Other Teutonic Baroque composers that adopted Luther's German Magnificat in their compositions include Johann Hermann Schein,[12]Samuel Scheidt,[13]Heinrich Schütz,[14][15][16]Johann Pachelbel, Dietrich Buxtehude, Johann Gottfried Walther[17] and Johann Mattheson.
Neu Leipziger Gesangbuch. Leipzig: Christoph Klinger, 1682, pp. 440–442.