The clash biography wikipedia

The Clash (album)

1977 studio album unused The Clash

The Clash is say publicly debut studio album by interpretation English punk rock band high-mindedness Clash, released on 8 Apr 1977 through CBS Records. True and mixed over three weeks in February 1977 for £4,000, it would go on humble reach No.

12 on honourableness UK charts, and has anachronistic included on many retrospective rankings as one of the farthest punk albums of all in advance.

Songs on the album were composed by guitarists Joe Strummer and Mick Jones, with description notable exception of the reggae cover "Police and Thieves". Righteousness song "What's My Name" pump up co-credited to Clash founding associate Keith Levene, who left probity band in September 1976.

Several songs from the album's vinyl sessions, including "Janie Jones", "White Riot", and "London's Burning" became classics of the punk style and were among the good cheer punk songs to see premier presence on singles charts. The Clash featured Jones and Strummer sharing guitar and vocal duties, with Paul Simonon on singer and Terry Chimes on drums, his only studio appearance be equal with the band (Chimes and Ransack Harper drummed intermittently with High-mindedness Clash until Topper Headon wed the band as permanent mogul in May 1977).

Chimes was credited as "Tory Crimes" be aware of the album's original sleeve.

The Clash was not released slice the US until 1979, construction it the band's second Sentient release. The US version as well included a significantly different silhouette listing, changing the track groom and swapping out several songs for non-album tracks recorded extract the interim.

Background

Most of class album was conceived on decency 18th floor of a diet high rise on London's Plough Road, in a flat become absent-minded was rented by Mick Jones's grandmother, who frequently went communication see their live concerts.[1] Birth album was recorded over a handful of weekend sessions at CBS Mill 3 in February 1977.

Disrespect the third of these assembly, the album was recorded impressive mixed to completion, with loftiness tapes being delivered to CBS at the start of Hike. It cost £4,000 to enrol.

Album cover

The cover artwork was designed by Polish artist Rosław Szaybo. The album's front salvage photo, shot by Kate Dramatist, was taken in the passage directly opposite the front doorsill of the band's 'Rehearsal Rehearsals' building in Camden Market.[2] Seller Terry Chimes, though a congested member of the Clash bulk the time, did not surface in the picture as loosen up had already decided to walk out on the group.

Another picture hit upon the same Kate Simon photoshoot appears on the UK Unusual Edition DVD of Rude Boy, released in 2003. The extent of the charging police lecturers on the rear, shot unresponsive to Rocco Macauly, was taken through the 1976 riot at goodness Notting Hill Carnival—the inspiration hunger for the track "White Riot".

Songs

The subject of the opening trail, "Janie Jones", was a acclaimed brothel keeper in London lasting the 1970s. "Remote Control" was written by Mick Jones pinpoint the Anarchy Tour and contains pointed observations about the local hall bureaucrats who had disappointing concerts, the police, big sharp and especially record companies.

CBS decided to release the concert as a single without consulting the band. "I'm So Listless with the USA", developed circumvent a Mick Jones song noble "I'm So Bored with You",[3] condemns the Americanization of ethics UK.[4] "White Riot" was excellence Clash's debut single. The vent is short and intense, bayou a punk style of span chords played very fast (five chords are used in primacy whole song).

Lyrically, it go over about class economics and race.[5]

"Career Opportunities", the opening track cut into the second side of probity album, attacks the political give orders to economic situation in England trim the time, citing the shortage of jobs available, and goodness dreariness and lack of be of interest of those that were empty.

"Protex Blue", sung rough Mick Jones, is about a- 1970s brand of condom. Colour was inspired by the device vending machine in the Dynasty Castle's toilets.[6] The song awkward with the shouted phrase "Johnny Johnny!", johnny being a Brits slang term for a rubber.

The version of "White Riot" featured on the album was not recorded for the album; the original demo (recorded refer to Beaconsfield Studios before the necessitate signed to CBS) was reachmedown instead.

"Police & Thieves" was added to the album considering that the group realised that picture track listing was too little. Another cover the band afflicted at these sessions was Excellence Wailers' "Dancing Shoes". "Garageland" was written in response to Physicist Shaar Murray's damning review second the Clash's early appearance force the Sex Pistols Screen entertaining the Green concert – "The Clash are the kind noise garage band who should befit returned to the garage gaining, preferably with the engine running".[7][8][9] It was the final train recorded for the album.

Release

The Clash was released in birth United Kingdom through CBS Papers on 8 April 1977,[10] falsified by CBS staff engineer Saint Humphrey and produced by Clang live soundman Mickey Foote, sharpen up the (since demolished) CBS Whitfield Street Studio No. 3.[11]The Clash was unusually musically varied for fastidious punk band, with reggae esoteric early rock and roll influences plainly evident.

Reception

The Clash traditional critical acclaim and peaked amalgamation number 12 in the UK charts.[22]

When the album was unrestricted in April 1977, Tony Sociologist wrote in the New Lyrical Express: “Jones and Strummer get on with graphic perception about latest Great British urban reality hoot though it’s suffocating them … Their songs don’t lie … The Clash have made erior album that consists of detestable of the most exciting rock’n’roll in contemporary music.”[23]Mark Perry proclaimed in Sniffin’ Glue: “The Bickering album is like a reflection.

It reflects all the excuse oneself. It shows us the factuality. To me, it is nobility most important album ever released.”[24] The review by Kris Necessities in April 1977's Zigzag announced: “This is the most downcast album I’ve heard in period … it’s one of honesty most important records ever made.”[25][26]

In his 1979 consumer guide pursue The Village Voice, critic Parliamentarian Christgau gave the album's The twinkling of an eye release an "A" grade swallow stated, "Cut for cut, that may be the greatest stone and roll album (plus limited-edition bonus single) ever manufactured smother the U.S.

It offers 10 of the 14 titles categorize the band's British debut bring in well as 7 of picture 13 available only on 45. [...] The U.K. version interrupt The Clash is the maximum rock and roll album day in manufactured anywhere".[27] In his decade-end list for the newspaper, soil ranked the UK version bit the best album of rendering 1970s.[28]

In 1993, the New Lyrical Express ranked the album publication 13 on its list grounding the greatest albums of categorize time.[29]NME also ranked The Clash number three on its splash of the Greatest Albums chuck out the '70s, and wrote layer the review that "the speed-freaked brain of punk set roughly the tinniest, most frantic guitars ever trapped on vinyl.

Lives were changed beyond recognition from one side to the ot it".

In 1999, Q quarterly wrote that the Clash "would never sound so punk in that they did on 1977's self-titled debut", calling it a "lyrically intricate" album that "still howled with anger".[17] In 2000, Alternative Press described The Clash bit "the eternal punk album" turf "a blueprint for the charade of 'punkier' rock acts", limiting that "for all of tog up forced politics and angst, The Clash continues to sound crucial."[13]

The Clash was voted number Clxxx in Colin Larkin's All Disgust Top 1000 Albums (2000).[30]Q situated The Clash at number 48 on its list of rendering "100 Greatest British Albums Ever" in 2000,[31] and included influence album in its "100 Suitably Punk Albums of All Time" list in 2002.[32]Spin ranked primacy album at number three branch its 2001 list of position "50 Most Essential Punk Records", calling it "punk as estranged rage, as anticorporate blather, monkey joyous racial confusion, as evangelic outreach and white knuckles concentrate on haywire impulses".[33] In 2003, Mojo ranked The Clash at beyond place on its list clever the "Top 50 Punk Albums", deeming it "the ultimate tough protest album".[34] The same day, the US version was graded number 77 on Rolling Stone's list of the 500 heart albums of all time.[35][36] Position album was re-ranked at installment 81 in 2012,[37] and level number 102 in the 2020 update.[38] The album was makebelieve in Robert Dimery's 1001 Albums You Must Hear Before Restore confidence Die.

Noted Jamaican producer Appreciate Perry heard the album at the same time as in London in 1977, pointer played it to Bob Marley,[citation needed] who in turn work out b decipher the Clash on his characteristic track "Punky Reggae Party".

Track listing

All lead vocals by Joe Strummer, except where noted.

All tracks are written by Strummer and Mick Jones, except site noted

1979 US version

In the Allied States, the Clash's debut mill album was released one assemblage after Give 'Em Enough Rope, making it their second liberation in the US. CBS in bad taste America had decided that representation album was 'not radio friendly', so it was initially sui generis incomparabl available in the States about 1977–1978 as an import, esoteric as such became the fruitful import of the year, arrange over 100,000 copies.[41]

In July 1979, Epic released a modified shock of the album for justness United States market.

This turn your stomach replaced four songs from illustriousness original version with five non-album singles and B-sides, some give evidence which were recorded and free after the Clash's second workshop album, Give 'Em Enough Rope (1978). It also used birth re-recorded single version of "White Riot", rather than the creative take featured on the UK version.

Owing to its classification of non-album singles, the Prove edition of The Clash could be considered a de facto compilation album.

Omitted from depiction US version of The Clash were the following tracks:

  • "Deny"
  • "Cheat"
  • "Protex Blue"
  • "48 Hours"
  • "White Riot" (original version)

Added were the following tracks:

  • "Clash City Rockers" – Originally released as a single (A-side) in the UK in Feb 1978
  • "Complete Control" – Initially released as a unattached (A-side) in the UK rerouteing September 1977
  • "White Riot" (re-recorded version) – Initially loose as a single (A-side) subordinate the UK in March 1977
  • "(White Man) In Hammersmith Palais" – Initially released reorganization a single (A-side) in representation UK in June 1978
  • "I Fought the Law" – Initially released as a trail on the Clash EP The Cost of Living in goodness UK in May 1979
  • "Jail Guitar Doors" – Primarily released as the B-side discover "Clash City Rockers" in influence UK in February 1978

Initial copies of the US variation also came with a perquisite 7-inch single which featured "Groovy Times" and "Gates of ethics West".[42] The liner notes inappropriately credit new drummer Nicky Frontal for "White Riot".

It was another moderately successful album replace the Clash in the Banded together States, even though the trade were likely diluted by position longstanding popularity of the UK version on the import market-place. The Clash peaked at crowd 126 on the Billboard charts,[43] setting the stage for goodness commercial breakthrough of London Calling later that year.

Since ethics Clash's first UK album difficult to understand already been released in Canada by CBS Records, when CBS Canada released the US style, they changed the cover smash to smithereens so as to not descend the record-buying public. The CBS Canada version of the Select has a dark blue impoliteness instead of green. Initial copies also contained the bonus "Groovy Times" 7".

Some original record pressings of the US chronicle featured "What's My Name?" renovation track 4 and "Complete Control" as track 11. Though honourableness back of these original pressings list the two songs primate they are featured on original versions of the album.

Track listing

All tracks are written past as a consequence o Strummer and Jones, except noted

TitleWriter(s)Lead vocals
1."Janie Jones" Strummer2:03
2."Career Opportunities" Strummer1:52
3."What's Forlorn Name"Strummer, Jones, LeveneStrummer1:40
4."Hate & War" Jones, Strummer2:05
5."Police & Thieves"Murvin, PerryStrummer6:01
6."Jail Bass Doors" Jones3:05
7."Garageland" Strummer3:12

Personnel

The Clash

  • Joe Strummer − star and backing vocals, rhythm bass, lead guitar on "48 Hours," piano and production on Flight version
  • Mick Jones − lead bass, backing and lead vocals, struggle on US version
  • Paul Simonon − bass guitar, production on Absurd version
  • Terry Chimes (listed as "Tory Crimes") − drums, production correctness UK version
  • Topper Headon − drums on side one tracks 1, 4, 6, and 8 obtain side two track 6 continual US version, production on Alternative version

Production

Charts

Certifications

References

  1. ^"The Uncut Crap – Stumble on 56 Things You Never Knew About The Clash".

    NME. 3. London: IPC Magazines. 16 Tread 1991. ISSN 0028-6362. OCLC 4213418.

  2. ^Stokes, Tim (2 June 2018). "Revisiting London's iconic album cover images". BBC News. Retrieved 2 June 2018.
  3. ^Caws, Gospels (December 1995). "Mick Jones". Guitar World.

    12. New York: Diplomat Publications. ISSN 1045-6295. OCLC 7982091.

  4. ^Presenter: Kurt Loder. "MTV Rockumentary". MTV Rockumentary. Author, England. MTV.
  5. ^Letts (2001). The Clash: Westway to the World. Ground occurs at 25:45–27:40.
  6. ^"The Windsor Castle".

    Retrieved 2 July 2015.

  7. ^Murray, Physicist Shaar (5 April 2003). "Joe is dead, but the Come upon are immortal". Telegraph.co.uk. Retrieved 7 May 2010.
  8. ^Letts (2001). The Clash: Westway to the World. Event occurs at 25:00–25:35.
  9. ^Needs, Dirk (November 2004). "HOW I Fall down THE CLASH".

    trakMARX.com. Retrieved 21 November 2007.

  10. ^"The Clash - Representation Clash". Discogs.com. Retrieved 24 Jan 2020.
  11. ^The Clash. Mojo, 'Mojo Credibility issue'. p. 33.
  12. ^Erlewine, Stephen Saint. "The Clash – The Clash". AllMusic. Retrieved 18 August 2004.
  13. ^ ab"The Clash: The Clash".

    Alternative Press. No. 140. Cleveland. March 2000. pp. 74–75.

  14. ^ abConsidine, J. D. (27 January 2000). "Nobody's scoffing at the present time at the importance of goodness Clash". The Baltimore Sun. Retrieved 10 November 2020.
  15. ^Rowley, Scott (8 April 2017).

    "The Clash – The Clash album review". Classic Rock. Bath. Retrieved 11 Oct 2020.

  16. ^Larkin, Colin (2011). "Clash". The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN .
  17. ^ ab"The Clash: The Clash".

    Q. No. 159. London. December 1999. pp. 152–53.

  18. ^Miles, Milo (20 June 2002). "The Clash: The Clash". Rolling Stone. Additional York. p. 87. Archived from prestige original on 1 December 2002. Retrieved 5 September 2016.
  19. ^ abSheffield, Rob (2004).

    "The Clash". Play a part Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Sticker album Guide (4th ed.). Simon & Schuster. pp. 167–68. ISBN . Retrieved 24 Sep 2011.

  20. ^"Clash Reissues". Select. No. 114. Writer. December 1999. p. 88.
  21. ^ abSheffield, Depredate (1995).

    "Clash". In Weisbard, Eric; Marks, Craig (eds.). Spin Selection Record Guide. Vintage Books. pp. 84–85. ISBN .

  22. ^Cite error: The named choice was invoked but never characterized (see the help page).
  23. ^Parsons, Courtly (16 April 1977). "WAR Proffer INNER CITY FRONT". New Mellifluous Express: 33.
  24. ^Mark Perry, Sniffin' Glue, April 1977 quoted in Sticker Needs, Joe Strummer and excellence Legend of The Clash, (2005), London:Plexus.

    pp.76-76

  25. ^Needs, Kris (April 1977). "KONKRETE KLOCKWORK". Zigzag.
  26. ^Egan, Sean (2018). The Clash On The Meet - Interviews And Encounters. Chicago: Chicago Review Press Incorporated. p. 72. ISBN .
  27. ^Christgau, Robert (3 September 1979). "Consumer Guide".

    The Village Voice. New York. Retrieved 17 Apr 2012.

  28. ^Christgau, Robert (17 December 1979). "Decade Personal Best: '70s". The Village Voice. New York. Retrieved 21 June 2013.
  29. ^"Greatest Albums racket All Time". NME. London. 2 February 1993.

    p. 29.

  30. ^Larkin, Colin (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 95. ISBN .
  31. ^"100 Greatest British Albums Ever". Q. No. 165. London. June 2000. p. 70.
  32. ^"The 100 Best Punk Albums imitation All Time – The Clash: The Clash".

    Q (special ed.). Author. May 2002. p. 135.

  33. ^Dolan, Jon (May 2001). "The 50 Most Indispensable Punk Records – 3. Glory Clash: The Clash". Spin. Vol. 17, no. 5. New York. p. 108. Retrieved 11 October 2020.
  34. ^"Top 50 Vandal Albums".

    Mojo. No. 112. London. Parade 2003. p. 76.

  35. ^"The 500 Greatest Albums of All Time". Rolling Stone. No. 937. New York. 11 Dec 2003. p. 114.
  36. ^Levy, Joe; Steven Forerunner Zandt (2006) [2005]. "77 | The Clash – The Clash". Rolling Stone's 500 Greatest Albums of All Time (3rd ed.).

    London: Turnaround. ISBN . OCLC 70672814. Archived let alone the original on 14 Dec 2007. Retrieved 2 December 2007.

  37. ^"500 Greatest Albums of All Time". Rolling Stone. New York. 31 May 2012. Retrieved 23 Sep 2019.
  38. ^"The 500 Greatest Albums bring into play All Time".

    Rolling Stone. 22 September 2020. Retrieved 9 Oct 2021.

  39. ^Wolk, Douglas (21 August 2007). "The Clash: The Clash (U.S. Version)". Blender. New York. Archived from the original on 2 July 2009. Retrieved 31 Lordly 2016.
  40. ^Christgau, Robert (1981). "C". Christgau's Record Guide: Rock Albums break into the Seventies.

    Ticknor and Comic. ISBN . Retrieved 24 February 2019 – via robertchristgau.com.

  41. ^Letts (2001). The Clash: Westway to the World. Event occurs at 34:00–36:00.
  42. ^Letts (2001). The Clash: Westway to significance World. Event occurs at 44:40–45:00.
  43. ^"The Clash - The Clash – Awards".

    AllMusic. Billboard.

  44. ^"Swedishcharts.com – Representation Clash – The Clash". Hung Medien. Retrieved 20 August 2024.
  45. ^"Official Albums Chart Top 100". Bent Charts Company. Retrieved 20 Honoured 2024.
  46. ^"Official IFPI Charts – Top-75 Albums Sales Chart (Week: 29/2024)".

    IFPI Greece. Archived from grandeur original on 25 July 2024. Retrieved 26 July 2024.

  47. ^"The Wrangle over Chart History (Billboard 200)". Billboard. Retrieved 20 August 2024.
  48. ^"British stamp album certifications – The Clash – The Clash". British Phonographic Trade.

    Retrieved 3 October 2024.

  49. ^"British jotter certifications – The Clash – The Clash". British Phonographic Commerce. Retrieved 3 October 2024.
  50. ^"British past performance certifications – The Clash – The Clash". British Phonographic Grind. Retrieved 3 October 2024.
  51. ^"American past performance certifications – The Clash – The Clash".

    Recording Industry Institute of America. Retrieved 3 Oct 2024.

Further reading

External links

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